 |
|
|
| FRONT > ERIC REINEMANN > CV |
 |
|
|
|
|
|
|
|
|
|
|
Over the past year I have been exploring the process of taking in and ordering visual information as a means to make compositions. When I am drawing I am focusing on small clusters or individual shapes at a time. Due to my head moving, and every thing else moving, including my thoughts, the information that I gather tends to be recorded in different proportions, leading to a fragmented version of real space. The paintings are build from many different drawings, and proceed as the drawings do from real life. So there is a constant filtering going on between what I visually saw, and what I visually create. The end result of this filtering is, what I consider, kind of a mental landscape, and what I find in this landscape are my stories and desires, as ambiguous as they may be. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
This text is replaced by the Flash movie. You can use this to display alternate content for search engine spiders.
|
|
|
|
| |